Tinnitus

Gabriel Awuah Mainoo

March 6, 2025

Jesus said to her; your

brother will rise again

—John 11;23

the only crankshaft i know is

faith. strung under the lip of my

earlobe.  i say this to my lover 

all the time. calls me unreasonable

all the time. i hear door-jaws i do

not open, close those i do not hear.

especially on tropical evenings

the tart taste of wind, its bite &

hot cough sprawling in my

cranium like the way a broken

bird’s tremolo fills the emptiness

of the grave with more death;

the impairment of immortality.

i’m turning, straining, stretching

this skin to listen to its other names.

the sidewalks of my body own

their gods. they speak to me in

many ways; thru SUV horns, the 

odor of a dead cat rising out of

the sewer. as long as you pray,

they say; the ear hears itself. the

bad-mouth eats itself. the eye

shields itself against the immoral

reflex lurking behind the shadow

of a shoulder lifting the sabre.

i’m not sure i’ve been blessed.

to know more, they say; you must

swipe your fist into an old man’s

face, without the remorse that comes

with ageing, the curse under the feet of

thunder-stomps associated with

panic. you’ll understand the

interpretation of light & sound─ indigo

in your stomach. why your mother’s

child cries belly-full without intention.

the translation of avian-spirits

inert─ on his thin sigh. mouthing

is a shaman’s kind of prophecy. the

sacrifice of teeth meant to obey tongue.

this is the secret to tickle God

in the rib for another gift. penance is

our own way of blessing the ear’s lip.

GABRIEL AWUAH MAINOO is a Ghanaian creative practitioner. He has received fellowships from the Hong Kong Baptist University, Aarhus Literature Center in Denmark, the Library of Africa, and the African Diaspora, Wintertuin Curacao, and others. He is a grant recipient of the Danish Art Foundation through the South Gate Creative Writing School. Mainoo is the author of “Lyrical Textiles’’ (Illuminated Press, U.S.), ‘‘We are Moulting Birds’’ (Light Factory Publication, Canada), and a co-author of "Hvor End Havet Skyller Dig Op" (Forlaget Silkerfyret, Denmark). His awards include the Africa Haiku Prize, the Library of Africa and the African Diaspora chapbook prize, the Singapore Poetry Prize, the 6th Ghana Association of Writers Literary Awards, the Samira Bawumia Literature Prize, the 1st Wanjohi Prize for African Poetry, and others. He edits poetry for The Journal of African Youth Literature. His craft can be found in The London Reader, The New Orleans Review, Fiyah Magazine, The Michigan Quarterly Review, Prairie Fire, Wales Haiku Journal, The Woodward Review and others. Mainoo was a headline poet at the Lyra Bristol Poetry Festival in England (2024) under the auspices of Bath Spa University, Ashesi University and the Arts Council of England.