As If & Other Poem
Gabriel Awuah Mainoo
the bloodline will not end but
begin with us again— overtly;
the same way sunset crawls out
of the graveyard. our chants have
become injuries on skullcaps
of ancestors. alone. that misty
morning, the harsh rub of
pink dew against the rear of my
ears, as if silence can interpret the
fickle-rut of air. as if adversity
cannot punch through the lithe
illusions; our dream-walls made
of honey & locked-jaw visions;
into cinders of the red tongue
dawn. a cathedral of doom.
the pied crow slips on the
crucifix. as if the blood of the
stone will not swallow us faster
than it virtues. as they say ritual
will make us heavy & unassailable.
Requiem for White
i woke to a summit
of chattering flies
loitering her hallway.
a swollen body,
listening
to earth in squalor.
forgotten the
many years of
art— of tidiness.
when death
does not like your
dank flesh
it holds you
by hair, wrings out,
drenches you
in spikenard, spreads
you in the sun
above a dry woven
palm branch. &
hope by dusk you
disappear as
ordinary as footsteps.
things that walk
with you at day
walk by
themselves— the paws
sauntering
around you. as if
you know everything
by scent.
how they lift
themselves quietly
from the heated
marsh over the
fence. the stale breath
of bath sewage
& a rotten dog
clawing your
throat.
a three &
thousand psalms,
a three
& hundred
ladles of salt,
for this body.
that is what
prayer does;
thickens the
flesh.
grows skin on
the soul, to
remind body
death is nothing
as living.
the axe forgets but
the tree remembers
─African Proverb
GABRIEL AWUAH MAINOO is a Ghanaian creative practitioner. He has received fellowships from the Hong Kong Baptist University, Aarhus Literature Center in Denmark, the Library of Africa, and the African Diaspora, Wintertuin Curacao, and others. He is a grant recipient of the Danish Art Foundation through the South Gate Creative Writing School. Mainoo is the author of “Lyrical Textiles’’ (Illuminated Press, U.S.), ‘‘We are Moulting Birds’’ (Light Factory Publication, Canada), and a co-author of "Hvor End Havet Skyller Dig Op" (Forlaget Silkerfyret, Denmark). His awards include the Africa Haiku Prize, the Library of Africa and the African Diaspora chapbook prize, the Singapore Poetry Prize, the 6th Ghana Association of Writers Literary Awards, the Samira Bawumia Literature Prize, the 1st Wanjohi Prize for African Poetry, and others. He edits poetry for The Journal of African Youth Literature. His craft can be found in The London Reader, The New Orleans Review, Fiyah Magazine, The Michigan Quarterly Review, Prairie Fire, Wales Haiku Journal, The Woodward Review and others. Mainoo was a headline poet at the Lyra Bristol Poetry Festival in England (2024) under the auspices of Bath Spa University, Ashesi University and the Arts Council of England.

